Gettin’ ‘Boggy’ with it

Shot in the early 1970s in a docudrama style, “The Legend of Boggy Creek” became a cult hit for Pierce, a longtime Texarkana resident who also directed “The Town That Dreaded Sundown” and other independent feature films.

“The Legend of Boggy Creek” chronicles the based-on-real-life encounters between Fouke-area residents and the Fouke Monster—a shaggy, Bigfoot-esque creature said to roam the nearby woods and swampy waterways.

Barcelou said Steve Ledwell of Ledwell & Son assigned her copyright of both “Boggy Creek” and another Pierce film, “Bootleggers.” Ledwell’s father, L.W., helped finance “The Legend of Boggy Creek,” which found success as a low-budget, drive-in creature feature.

“The Legend of Boggy Creek” is being restored at the George Eastman Museum in New York and, for the first time since it was released, the movie will be appear as it did during its theatrical release, unlike bootleg versions out there now, Barcelou said.

“We have a clean, clear beautiful print that is being remastered,” Barcelou said, noting various elements have been brought together to make the restored version, including negatives from a Technicolor office in Burbank, Calif.

Barecelou said she aims to release “Boggy Creek” on Blu-ray and also bring it back to movie theaters after working on the sound. She’d like to hold a “Charles B. Pierce-style” premiere at the Perot Theatre.

“We will also be re-releasing theatrically,” said Barcelou, noting she’s gone back and forth to Rochester, N.Y., where the restoration work is being completed, to see the project’s progress. This will make the film look how it was meant to appear, she said, adding that “Boggy Creek” fans have long requested this type of clear version being made available.

“I saw it up on the big screen for the first time in 45 years and it made me cry,” Barcelou said, noting the restoration and remastering work will help the colors pop in the swamp scenes, for example.

Kyle Alvut, who manages the digital part of film preservation services for the George Eastman Museum, said they’re taking analog elements and turning them into digital content to produce Blu-rays and high-definition copies, basically preparing the movie for that sort of distribution.

“Just like it would be a brand-new movie,” Alvut said. They’ve received a few elements and are sorting through them before deciding the best way to reconform to the original movie. It’s the kind of work they do to restore movies made a century ago.